Ryan
McCombs: Lead vocals
C.J. Pierce: Guitars/vocals
Stevie Benton: Bass/vocals
Mike Luce: Drums/vocals
"I walked the high road away from you, God knows what
I've been through
This is the life I have, This is the life I choose" -
ENEMY
For Texas modern rockers Drowning Pool, Full Circle,
their third album, and first for Eleven Seven Music,
represents a chance to continue to build on their
success, with a new lead singer in old friend Ryan
McCombs, a new label and new management, but the same
fiery commitment to their music and one another.
Marking one of the new album's fateful coincidences is
the fact that ex-SOiL vocalist Ryan McCombs made his
live debut in Dallas with the band at Ozzfest in August
of 2005. It was almost three years to the day since he
joined Drowning Pool's guitarist C.J. Pierce, bassist
Stevie Benton and drummer Mike Luce on-stage in
Indianapolis at Ozzfest 2002 to sing "Bodies" with the
late Dave Williams, who would pass away from a rare
heart disease just a day later.
"There's never been a point when we thought about
stopping," says C.J., who moved to Dallas in the
mid-‘90s to form Drowning Pool with Luce, Benton and
Williams when they were all still in high school.
"Everything we've gone through has just brought us
closer."
McCombs had completely walked away from music before
joining the band. He had been frustrated with the music
industry, but most importantly he wanted to spend time
with his family. With the persistence of the three
remaining members along with the support of his wife,
Ryan joined the band in June 2005.
"She just told me, ‘This is the music you've been
waiting to play your whole life,'" nods Ryan, whose
youngest son Mitchell David is named after Williams.
"When I first thought about singing for Drowning Pool, I
felt I was stepping on toes. It was Dave's own parents
who put it into perspective for me. ‘If anybody was
going to do this, don't you think he'd want you to?'
That was enough for me. After that, I decided to join
the band."
"We wanted to keep writing music together," adds Mike.
"But we did wonder if it would still be Drowning Pool
without Dave or whether we should keep the name in his
memory."
"We decided to keep the band going because if we didn't
it would put to rest everything we did with Dave," says
Stevie. "If someone in your family dies, you don't
change your last name. You just keep going."
And keep going they did on a third album that is more
mature, melodic and accessible than its predecessors,
but does not sacrifice any of the power fans have come
to expect from the group. With McCombs in tow, Drowning
Pool has crafted powerful new songs like "Enemy," which
was one of the first songs written after McCombs left
his former group SOiL, a band he fronted for seven
years. "The song represents being the better man despite
the pain it brings you… the mudslinging that followed
when I changed bands blew my mind," says McCombs.
"People ignored timelines surrounding my departure from
SOiL and tried to make Drowning Pool and I look like we
had motives from day one that we simply didn't have.
With Dave gone, it's an honor to be the guy they chose
to continue with."
Drowning Pool feels the addition of McCombs has made
them whole again, a family. It was something the band's
fans, and the band itself had been clamoring for since
Williams' death. With the odds stacked up against them,
Drowning Pool has proven that they are here to stay.
"The fans knew this was going to happen before we had a
clue," says C.J. "We just didn't have that family vibe
with our last lead singer. And now we've got that again
with Ryan. For us, this is it. This is Drowning Pool."
Produced by long-time friend Ben Schigel [Chimaira,
Walls of Jericho], and a collaboration track with Mötley
Crüe's Nikki Sixx and Beautiful Creatures' Dj Ashba,
Full Circle returns Drowning Pool to its prime.
"Bodies," off of their platinum-plus 2001 debut, Sinner,
was featured on several WWE pay-per-view events, EA
Sports' Arena Football game, and used by Boston Red Sox
closer Jonathan Papelbon and Houston Astros' Brad Lidge
to accompany their walk from the bullpen. The chorus
"Let the bodies hit the floor," a tribute to their
stage-diving fans in the mosh pit, was widely
misunderstood. In the wake of September 11th, the song
was banned by several radio stations out of sensitivity
and the fear that people would misconstrue its meaning.
As an example of things coming full circle, the group
was invited to Baghdad by the USO on the fifth
anniversary of that tragic day to play the song for a
group of grateful, enthusiastic troops stationed there.
They also played gigs in South Korea and Kuwait. "They
were probably the most rewarding shows we've every
performed," says McCombs.
Full Circle is a third album that fulfills the
expectations of the first two. It promises to reward the
band's existing core fan base while continuing to evolve
and attract new ones.
DP: Join the core!


