"We got an urge."
So says Nancy Wilson on the impetus for Jupiters Darling, the first new studio
album from Heart in nearly a dozen years and a convincing case that the fire and
spirit of real rock & roll is alive and well.
All things considered, it's a natural point of
departure for Nancy and Ann Wilson, considering that over their illustrious
career, Heart has always made urgent, immediate and compelling music. Simply
put, following their creative impulses has made Heart one of the most innovative
and enduring musical partnerships of our time.
It's a creative chemistry that has, to date,
yielded sales of well over thirty million albums, with over twenty Top 40 hits
and live shows that sell out stadiums whenever and wherever Heart performs.
Jupiters Darling is the latest chapter in that
extraordinary saga. Produced by Nancy Wilson and featuring sixteen riveting
selections written primarily by the Wilson sisters, this long-awaited collection
of new Heart originals marks a triumphant return to form for a band that, in
reality, has never really been away.
"Although we haven't been in the studio as
Heart since 1993, we haven't exactly been taking it easy," asserts Ann. "We were
involved in a side band called The Lovemongers; Nancy has done a lot of
soundtrack work and released a solo album, and we've both gone on tour on our
own."
In point of fact, Heart has also actively
maintained their reputation as one of rock's premier live attractions. With the
2003 double-CD and DVD release, Alive In Seattle, the sisters and their
top-notch backing band were caught in the act of creating some of their freshest
and most exciting music ever. It also afforded fans a taste of things to come
with live versions of four tracks subsequently recorded for Jupiters Darling.
"We've been thinking about going back into the
studio as Heart for a long time," reveals Nancy. "When we finally decided to go
for it, we asked ourselves a simple question: What would a dream album be for
our fans? To answer that we went back to our own roots, the dream we had of
giving Led Zeppelin a run for their money."
"The climate for music has changed," adds Ann.
"There is a real hunger out there for authentic rock. That was all the
encouragement we needed."
Yet, while conditions and creativity might have
been in alignment, the Wilsons took their time in the songwriting process. "We
worked at it for well over a year," Nancy reveals. "As we progressed, our
standards got higher. We both realized we weren't into retro-Heart. The music
had to be both familiar and new at the same time and that's no easy task."
It's a task triumphantly accomplished on
Jupiters Darling. And, while the album may bear the signature sound that has set
Heart apart for more than two decades now - a dazzling blend of Ann's soaring
vocals and Nancy's glorious guitar - there is an unquestionably contemporary
element that not only brings these tracks right up to, but well ahead of, the
moment.
"Having access to all the latest technology
gave us the freedom to try new things," Ann asserts. "At the same time we wanted
to keep it real. Since we were working with our touring band, we were able to
put some studio spin on our live sound. But what you hear is what you get: no
machine music, no pitch correction."
Aside from Heart stalwarts Darian Sahanaja on
keyboards and the rock solid rhythm section of bassist Mike Inez and drummer Ben
Smith, Jupiters Darling boasts brilliant contributions by, among others, guest
guitarists Jerry Cantrell (Alice in Chains) and Pearl Jam's Mike McCready. New
to the group is Craig Bartock, who co-produced the album with Nancy,
collaborated on the writing of several key tracks, and played everything from
guitar to pump organ to mellotron. "He was totally tuned in," enthuses Nancy.
"He had all the same musical tastes and references, which gave us a great basis
to work from."
Yet, as pivotal as were both the both the
technology and the musical crew assembled for sessions in Seattle and Los
Angeles, Jupiters Darling is, from the anthemic opening notes of "Make Me" to
the final wistful fade of "Hello Moonglow", pure and potent Heart.
"We went for songs that were simple, powerful,
at times slightly political, but always emotionally honest," says Ann. "We think
our fans, no matter how young or old, are smart, passionate people. They've
stayed loyal because we've never underestimated them."
"We'll never be a jukebox band, recycling our
great hits," agrees Nancy. "We may have the same goals and ideals we started
with, but we're always finding new ways of expressing them."
From the evidence of Jupiters Darling, truer
words were never spoken. From the revealing vulnerability of "Enough," to the
hard won wisdom of "The Perfect Goodbye;" from the playful entendre of "Down The
Nile," to the blistering rock of "Vainglorious;" from the scathing protest of
"Oldest Story In The World," to the delicate melancholy of "I Need The Rain,"
Jupiters Darling is consummately crafted modern music at its finest. And, with
an extensive touring itinerary scheduled this summer, Heart will be |